Wesley Verhoeve

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The Best Does Not Always Win (Or Why Spotify Will Beat Rdio)

Back in the 70′s and 80′s a product war was waged between JVC and Sony over whose format would become the market standard. JVC created the VHS format and Sony the Betamax one. Betamax in many ways was the better format in terms of technical features and usability, but through a few smart maneuvers on JVC’s part customers choose the inferior VHS format as the market standard. Betamax was better, but VHS was “good enough” and JVC was able to hold onto their market lead when customers perceived the switching costs from “good enough” to “great” as too high.

We’ve seen the same thing happen when Sony tried to launch their Super Audio CD (SACD) format. The company’s label subsidiaries started releasing albums on this technically superior product, at an increased priced, but customers decided CD’s were “good enough” and the SACD format failed.

The same thing is happening right before our eyes in the music streaming market. The two dominant forces, Rdio and Spotify, are fighting for market share and I predict that Rdio’s superior product will lose out. Rdio has been in the US market longer, they have by far the superior product with a better user interface, better product design (see screen caps below), a cleaner client, a vastly better search, and a cleaner catalog. Spotify very recently entered the market and they do exactly one thing better than Rdio: customer acquisition. Spotify has a freemium model and offers a free limited version of the service. Rdio requires customers to share credit card information to allows customers to try their service for free for seven days after which they’d need to pay.*

Subscription-based streaming music consumption is a radical shift for most customers, so the barrier to sample a product should be very low. The recent integration of both Spotify and Rdio with Facebook provides a huge boost to bringing streaming subscriptions to the mainstream. Spotify just took a massive leap by adding one million new members in the two days since their product was integrated with Facebook, and they’re probably off to the races through a snowball effect facilitated by the new Facebook sharing function indicating that your friends are listening to music through Spotify. This will lead to a situation where most people will try Spotify before Rdio, due to the lower barrier to entry, and then stick with it because it’s “good enough”. They won’t know what they’re missing, and even if they know about it, they’re already invested in using a dominant product that does the job ok.

I’ve personally had both a Spotify and an Rdio account for a significant amount of time, and only fire up Spotify for those rare times that Rdio might not have a particular album in their catalog. It’s frustrating for me to watch the better product lose out, and get their marketing strategy so wrong. Even if they changed it now it might already be too late to unseat Spotify, but I’d love to see them try. Otherwise it will be Betamax vs VHS all over again!

(As pointed out by HackerNews commenter Daniel Hunt, Spotify is available in many more regions than Rdio, and this article focuses only on the battle for US dominance.)

(* My friends at Rdio just let me know they never required credit card info for the free trial.)

Rdio

Spotify

6 Comments | Music Business | , , | 09.27.11.

  • http://tightmixblog.com Chris B.

    Its so incredibly frustrating for me too, Wesley. I’m in the same boat. I’ve been an avid Rdio user for almost a year now. I’ve used Spotify in and out, and while they have more customers and more licensing deals, the product just doesn’t compare to the incredible user experience provided by Rdio. 

    I think that Rdio is making a big mistake with their 7-day trial. It needs to be longer. Or there needs to be some kind of free version if they ever hope to really beat out Spotify for market dominance. The window is closing fast.

    • http://wesleyverhoeve.com Wesley Verhoeve/Family Records

      Chris, someone from Rdio just got in touch and said that a free version is imminent. I do hope it’s in time still!

      Wesley

      • http://tightmixblog.com Chris B.

        That’s great news! I have you synced either Rdio or Spotify to your Facebook profile yet? I did, but it’s a pretty bizarre feeling sharing EVERYTHING that you listen to…not sure how I feel about it.

        • http://wesleyverhoeve.com Wesley Verhoeve/Family Records

          Yes, I’ve synched both. I think it’s interesting but it might be too much info for most people I reckon. As in, the value of this sharing behavior will probably diminish after time when people tune out.

  • http://www.facebook.com/profile.php?id=8311327 Matt Pearson

    You are absolutely correct here. I was a paying customer on Rdio since it was invite-only and it is definitely the superior platform. However, I actually just cancelled my subscription this month due to a huge number of artists I searched for being unavailable on the service.

    I realize this isn’t Rdio’s fault, per se, since the labels and everyone drive hard bargains and are just warming up to this whole new streaming thing. Still, Rdio has millions less songs than Spotify and far fewer of my friends are on it at this point because they don’t want to pay. (I see your comment below that the free model is imminent. This is crucial to its survival. Happy to see it.)

    In the end, I cancelled because I was having a better time discovering new tunes on Turntable (free) and can listen to more new albums on Spotify (and see more of my friends’ playlists there).

    In the end, the winner is going to be the one that has ALL music. Spotify isn’t perfect either here, but it’s winning. It has better strategic partnerships, more music, and more users. Rdio has a huge uphill battle to overcome if it’s going to win.

    • http://wesleyverhoeve.com Wesley Verhoeve/Family Records

      Thanks for your insight Matt. Very interesting use case and good points made!