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{ Wesley Verhoeve }

Be Yourself (Or Keeping It Real)

If you haven’t read 37Signals‘s “Getting Real” I highly recommend you pick it up today. You won’t regret it. It highlights the business, design, programming, and marketing philosophies of 37signals, which is a software developer, but these lessons can be applied to many other fields.

A recent chapter I re-read was called “Be Yourself” I thought I’d adapt some sections that ring particularly true for indie artists. A lot of small labels or self-released artists fall into the trap of trying to act like they’re bigger than they are. I can confess to having set up many a false identity for my old band, including Nigel our fake booking agent. Nigel did a great job, he got us some big shows, so I’m not saying this kind of fibbing can’t be beneficial in general, but keeping it real can certainly benefit you just as much, especially when it comes to communication with your audience. What you are trying to develop is a real relationship with your audience that Khoi Vinh stresses should be “lasting and mutually beneficial”. This post strongly relates to yesterdays post on branding. A few ideas on how to implement this quite easily:

  • Instead of speaking in corporate language trying to act like you’re a big label, utilize the fact that you have a unique and charming story and are working your butt off by yourself. It’s much more exciting to support a real person than some distant corporate entity.
  • When people order a cd, send them a quick note by e-mail or a hand-written one in their package. Not only are you showcasing a human voice to represent yourself, you’ll be endearing yourself to your fans.
  • Instead of listing info@yourbandname.com on your website, list your personal e-mail. You can even create a separate one especially for your band or label, like yourname@yourband.com if you want to keep it separate from your truly personal e-mail. Include photos of what you look like on your about us page (working on this myself). Be yourself.

1 Comment | tags: | category: Music Business

  • http://acetoace.blogspot.com Camille

    in the early/mid-90s i was an avid indie-kid who ordered 45s and LPs based on ads i saw in zines. i can’t tell you how much it meant to me when i’d get a hand written note from a person at K Records, or a letter from the intern at Matador along with a free handful of stickers and sometimes even bonus 45s of bands I hadn’t heard of that he thought I might like.

    I also like buying stuff directly from the band when I can. While I know this is tougher with bigger bands, I know that the Dresden Dolls did a good job of making the merch people part of their “team” and talking about them on their website, such that the fans usually already knew the names of the Merch Girls and that personal touch was retained.
    The loss of such a personal connection is part of the reason why you almost never find me buying music anymore.